"No man can be a genius in slapshoes and a flat hat." -Buster Keaton -
"No man can be a genius in slapshoes and a flat hat." -Buster Keaton -
This is a lost film that remains undiscovered to this day. It marked Joe Keaton’s debut, Buster’s father. In one scene, he playfully kicks the main actors into a horse trough. Roscoe runs a blacksmith shop, and Joe operates a garage in Jazzville. They initially compete for the affection of schoolteacher Alice but unite to face a new arrival, Al. Buster delivers a performance at a village ball.
One of the most highly desired missing silent films, “A Country Hero” (1917) directed by Roscoe Arbuckle. Film enthusiasts are eager to recover it, not just for its place in Arbuckle’s impressive body of work but because it’s the sole absent piece in Buster Keaton’s silent filmography. All his other works are accessible, but this film remains elusive.
Though lost to time, tantalizing tidbits let us peek at this vanished Roscoe Arbuckle vehicle:
Though lost, tantalizing traces let us imagine this rollicking romp. The existing descriptions of the film A Country Hero (1917) are quite general, lacking the precision we desire. However, a more detailed review can be found in Moving Picture World, dated December 1917:
Certainly, what truly caught the attention of both critics and viewers during the release of “A Country Hero” was Buster Keaton’s remarkable performance, particularly his show-stealing “Fatima snake dance” scene. In fact, one writer went as far as to describe it as “one of the most outstanding burlesque moments ever captured on film.” Prior to this, Buster’s presence in the preceding Comiques had consistently garnered praise; his “excellent comedy falls” had been commended, and he was often compared to the established star, Al St. John.
Submerging Buster Keaton for Film Fun magazine.
Here is a promotional photograph for the movie, with Cy Klone’s garage in the background.
It’s intriguing to imagine Joe Keaton’s initial moments on screen, considering his initial reluctance to act in films. The film would have needed scenes to establish the characters’ relationships, likely depicting Roscoe and Joe competing for Alice’s attention. Interestingly, Rudi Blesh’s biography Keaton suggests that Joe was asked to play Alice’s father rather than a romantic rival. However, Blesh’s book contains inaccuracies regarding Keaton’s films, so this account might also be unreliable. As of now, this is the only information available. Here is a footage image where Joe Keaton is standing alongside the Comicque film crew